Capture Me

Digital photography concerns photographs in hundreds of thousands, or millions of tiny square picture elements, “pixel.” Computers and printers use these minute pixels to display photograph images. It’s compared to a painter who dabs small bits of paint on subject he expressed in canvas. 

Determining color and brightness is processed thru number-value counts of grid pixel from the digital photograph prints, after computer divides the screen and print page into grid pixels. Controlling grid of each pixel this way is bit mapping, and “bit-maps” are the produced digital images.

Purchasing a digital camera starts to digital photography.

Hundreds are available but the best digital cameras run down to a few top feature cost brands, guaranteed to produce best quality results with complete lighting kits. 

Combining passion in portrait photography skills, computer software applications, and digital technology completes the elements of digital photography. Putting into photos the perfect touch of light distribution and color is essential to a successful print copy. 

Taking pictures in most cases does not focus on the subject always. It’s up for the photographer to apply a situation best suited to time and place of photo sessions.
Manipulating control of lights is done either ways: under the direct heat of the sun, or in the interior of a closed dark room. A seasoned digital photographer can do both, finishing photos of standard quality.



Traditionally, people love to take a shot involving the full body into the background. Those that do this will realize that the image of those in the picture are too small so it is advisable to take an upper body shot or from the shoulders up. If this is too difficult for the user, another way to get the shot will be to put the people on the picture on the side rather than the center. The owner should just zoom in properly in order to get both properly. 

Lighting still plays a factor whether using the old or the digital camera. This is because an image with the sun behind the subject will turn out to be a silhouette while the same effect with the light in front will make the person squint unless there are sunglasses on. 



Capturing Light Effectively



1. Direct Sunlight - The mid-day sun creates shadows immediately underneath a certain subject. Set some modifications to control bright sunlight in facing the reality, you can’t move the sun from its axis. 

Dark shadows that bounce beneath developed the harsh “raccoon” image on the subjects’ face, an ill effect-results of the whole process. If it can’t be avoided, placing a reflectors underneath the subject’s chin, takes instant neutralizing effects of unpleasant shadow, could lighten intensity. 

Other reflectors could cause eyes to be watery. Recourse is to use a white poster board also providing enough light to the shadowed face. Avoiding direct sunlight and be devoid from eye squinting that destroys beautiful facial expressions, is a shift to some shaded place with likewise shaded background. Bright backgrounds could result on the iris’ automatically turning the subject to silhouette form in effort to compensate the bright effect of the sun.



2. Orange Color - The hues of dawn and near twilight, best “peak setting” in photography. For best results in lighting about digital photos, do your shooting just after sunrise or just before sunset (at daytime and dusk, Orange disappears), when the color of orange around makes everything look better.

Your computer represents the dark room in digital photography, mediating to take the tasks necessary on adjustments you wish to achieve of images input after photograph sessions. 

Necessitates cropping, working on brightness, contrast, and color adjustments. You can add special effects in frames and shadowing to create a unique dimensional appearance, taught in multi-task image editing software.
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If you enjoy taking photos and own a decent digital camera, computer and have access to the internet, you can easily turn your passion into a nice source of additional income by selling online photos. Selling photographs online is a profitable industry and a valuable source of revenue for many photographers, both hobby and professional. For some, it can even become a full-time home business.

For those just becoming interested or starting out in this business, though, knowing where to begin can be a bit confusing. So here are a few pieces of advice to help you learn the business of selling your photographs online.

1) Locate the Right Place to Sell Your Photos Online. There are many different avenues to sell photographs online. Most newcomers, however, will find the most luck with selling stock photos through online stock photo agencies. The most successful stock photo agencies have hundreds, even thousands, of customers purchasing stock photographs from them daily. These photographs are used for a wide range of website content and advertising purposes, and the pay you receive will be dependent on the agreement you have with the agency and the rights you are selling. Often, however, you will be selling the same photograph time and time, and earn a small amount (for example, $1) for each sale. This may not seem like much, but if you sell one photograph 100 times, it adds up. And if you have 100 photographs that sell 100 times… well, you do the math!

2) Find the Most Successful Photos to Sell. Often it is not the most artistic photographs that are the most successful. Frequently, well taken photographs of common objects well sell the best with stock photo agencies. Taking photographs of people is always a bit more complicated, since model releases are required (although you can choose to use yourself as your subject, to make things easier). For this reason, sticking to photographs without humans in it may be easiest while you are still learning the ropes.

3) Make Sure Your Photographs are Found in Online Searches. You need to learn how to conduct research on what kinds of photographs are most in demand. Much of this will center on the keywords that people are entering into search engines like Google.

4) Submit Only Quality Photos For Sale. Blurred, fuzzy or otherwise poorly shot photographs will not only not sell well, they will can also damage your relationship with the stock photo agency that is selling your photographs. Take the time to take quality photographs and only submit the best for sale.

5) Improve Your Photographic Quality Over Time. As with any business, the more you learn and the better your technique, the more profitable you will be. Fortunately, if photography is also a hobby that you love, learning more about it will not be a chore but and enjoyable activity.

To learn more about techniques to successfully sell your photos, you should also visit http://sell-your-photos.info.

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This article is about the wisdom of protecting yourself with the use of a model release form. Have you ever been checking out a video film or a TV show that includes public shots and a number of of the faces seem to be blurred out? No, that is not inferior production standards on the part of the video team. That is because the producers who in the end sold that to be used commercially did not get hold of releases from those individuals. Then if they used their imagery, they are laying themselves exposed for plenty of legal troubles. The answer is to use a Model Release Form.

Accordingly how do you discern if the work you are doing in your photographic dealings dermands such releases? After all, you would rather be safe than sorry and obtain model relese formseleases from each person you draw on as a subject than meet a crisis down the road. But there is a downside to securing them if you are not sure. That is the impression you generate in the mind of your customer.

If you predominantly do portraits, weddings or other proceedings where the aim of your labor is to sell the pictures to the people being photographed, here is undoubtedly no prerequisite for a model relese form. So long as you hold no intention of ever using any of those photographs in a sale that will benefit your venture other than the original way, then you should be all right.

It is once you stride over into that sphere of photography in which you may well be working with models to output photographs for advertising, magazines, newspapers or some other purpose in which you are selling the images you have photographed for a profit, that is when a release is required. This area of pro photography is tremendously lucrative as you are operational at a elevated tier of professionalism than photographing the public to present them with portrait standard images. And as it is such a worthwhile field of professional photography, the struggle to accomplish those sales is demanding to be sure.

When you are working with professional models, securing their a model release form is pretty much part of the plan and never a problem. They are working in support of you and they understand the photographs are for selling so their agents and lawyers perform all the groundwork so the releases are regular and understood. But from your perspective, don’t allow this detail go unattended to. Your clients, those magazines or ad agencies who look to you for professional photography work, are assuming you have this covered and that they can rely on you to provide not only excellent work but work that has been legally released to be used for advertising.

The complications happen if you do your shoots in a public place such as a park, a mall or everyplace that there may well be traffic that becomes part of the shot. If you carry out the shoot and uncover that the flawless shot that fits your customers desires just right happens to contain assorted members of the community in the background, you have to have releases from them or you cannot sell that photograph.There is more at Photography Legal.

You might think ahead and attempt to get your hands on those releases on the spot. But if the individuals you are trying to persuade to authorize such releases understand you are going to make use of their imagery for profit, and you pretty much have to say to them, you step into another whole level of negotiation. Although you certainly don’t want to have to obscure their faces out on the shot. You can Photoshop them out although that may well give somebody the slip the spontaneity of the shot.

It’s paramount to stage the shot from start to finish. If you want traffic to be occurring around your model, bring in models who know how to do the job for you. Any first-class modeling agency to provide you with “average looking” models to use for this purpose. You will have to compensate them but at least you know that the shot is good. And also once you trade the shot, you are going to get questions with reference to whether those models were remunerated and whether you have releases on them too.

You can find a standard release form at Free Model Release Form or your lawyer can help you develop one that covers the legalities you need handled but also reflects how you require to manage this matter. But don’t let this matter slip through the cracks. By protecting yourself, you can do respectable commerce and gainful business but above all, legal business in perusing your professional photography occupation.

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Buying the latest accessories does not beggarly spending a lot. In fact, you can get abundant deals and save money on a acceptable acclimated or Refurbished Digital Camera. Just like affairs added products, accomplish abiding you advance time on blockage the artefact afore affairs it.

The so alleged “open box” aphorism agency that if you investigate carefully enough, you can in actuality acquirement a cast new, top-of-the-line agenda camera for a decidedly bargain price, alone because anyone abroad alternate it out of its aboriginal packaging. Also, clashing affairs a acclimated camera, a branch refurbished camera should appear with all the accessories that you would apprehend from a new product: owner’s/user’s manual, USB/Firewire connection, batteries, wrist strap, anamnesis card, and even sometimes a careful case.

Why is it again that added and added humans accept to buy refurbushed agenda cameras alive that they are about new and cheaper? Nowadays, alone actual few humans are abreast about these abundant deals. In fact, manufacturers and electronics food accumulate “open box” and refurbished cameras hushed up because if you don’t apperceive about them you’ll be abundant added acceptable to acquirement a cast new, abounding bulk model, breeding added acquirement for the retailer. Of course, this is not the alone acumen you may not accept advised affairs a refurbished camera.

There are, as with every acceptable deal, some accessible abrogating aspects to purchasing a refurbished camera. The actuality is that while abounding are alternate bare or hardly used, some refurbished models accept in actuality been acclimated abundant to charge backup locations or added aliment authoritative the product’s arrangement added accessible to defects and added acceptable to could cause problems. Because refurbished cameras don’t specify the bulk of use above-mentioned to acknowledgment or the acumen for return, consumers are generally larboard in the dark. This actuality has led to abounding burghal legends of refurbished electronics malfunctioning, but the accuracy is, in a lot of cases refurbished agenda cameras are about as acceptable as new.

How will you apperceive that you accept purchsed a acceptable refurbished camera? The a lot of important way to accomplish abiding you don’t end up with a poor artefact that malfunctions on you is to alone accede refurbished articles that cover a manufacturers assurance for at atomic ninety days. This will anticipate you from accepting a torn camera which is absurd to acknowledgment or to be exchanged for addition one.

In animosity of the accessible negatives inherent in affairs a artefact that absolutely may accept been acclimated before, the amount allowances and positives abundantly outweigh the bad. Affairs a refurbished agenda camera can cut the amount decidedly while still accouterment you with an accomplished product. If you are because affairs a agenda camera, be abiding to analysis the internet and your bounded retailers for refurbished models – they are account the time it takes to investigate.

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Photography can be a fascinating subject to study. Since you’re reading this blog, you may agree with that statement. One such subject is air brushing. We have all heard of air brushing. It seems to be used a lot on star’s photos to make it look as if they are skinnier than they really are, have fewer imperfections in the face such as acne or even to place something in the photo that was not there when the picture was taken. Objects that were in the scene when the picture was taken can be completely removed with this technology. Have you ever wondered how this works?

How does air brushing work? After the picture has been taken and has been developed, the photographer may see some imperfection in the picture. To correct it without having to take the picture again, editing can be done on the finished photograph. This can be done with computer software. We have all heard of Photoshop by Adobe. This software has made it into the vocabulary of American English and people make statements such as, “This picture has been Photoshopped!” implying that it has been altered. Any amateur can do this as Photoshop has been created for the PCs of novice photographers as well as for professionals, but it may not be ethical for particular photographers to engage in this practice. One reason is that they may have a need to present an authentic picture, completely undoctored, to an employer. An example of someone who may need to present an undoctored picture is someone who is taking photos for an insurance company.

Air brushing is a practice that professional photographers are discouraged from undertaking; if you plan to sell your pictures you may not want to take advantage of this technology to retain the integrity of your work. If you are not selling your picture and you would like to improve the quality of it, feel free to partake in Photoshop software, but you may want to be honest with people and confess that Photoshop was used.

Some pictures have intentional blurring in them. As mentioned above, blurring can be achieved by taking a picture of a moving object with a slower film speed. This may not be easy for amateur photographers to apply the right amount of blurring to a picture with aperture and shutter speed. In that case, photographers can use bokeh. This technique will add a little fuzziness to your objects without rendering the object unrecognizable. The point of bokeh is to take an object with sharp edges and soften them by creating a fuzzier image. With bokeh, your pictures can be made to look “artsier” than if you left sharp angles in the photograph.

These are a few tactics to make a picture look better. Have fun with them!

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It’s simply one amongst the most feared phrases for women, and given the number of statistics concerned, it definitely should be. The foremost common kind of cancer among women, shut to fifty thousand women die from it each year. Nearly two hundred thousand are diagnosed every year, and simply managing to survive is a feat inside itself. Once a woman is cancer-free, though, her body is typically left ravaged from treatment. She, herself, is usually emotionally exhausted, and the concept of feeling attractive at some purpose in the longer term just isn’t a risk for most.

Enter Phoenix-primarily based female body photography Kay Eskridge and her sensual female photography packages. One amongst the best-known lifestyle portraiture producers in the southwest, Eskridge has created a complete several grasp and love- female body photography diva packages. Her images have people returning to the studio as often as potential, and her new line Celebrate Sexy is solely going to extend that level of name loyalty. The intimate pictures that come from this line turn out a tremendous level of sensuality most portrait female body photography faq simply cannot capture, and it’s this same line that Eskridge had the foresight to use as a breast cancer awareness tool.

“When most survivors leave cancer treatment, they have a little bit of a boost to assist remind them they are as sexy as they ever were,” said Eskridge.

By providing them a free CelebrateSexy boudouir photography packages just for being brave enough to share their stories on the Celebrate Sexy blog, readers across the world got the chance to put a face on the difficulties associated with cancer. The experience not solely touched the lives of readers everywhere, it additionally gave survivors a probability to inform their stories to a captive audience.

The ultimate two weeks in October saw a number of stories come through the blog, and many readers were a touch torn once they had to finalize their votes. November arrived quickly, though, and votes were tallied. Survivor Debbie H. won the free sensual female photography packages. Every entry, though, got a $100 gift card toward a Celebrate Sexy session for our discounted boudoir photography packages.

Debbie’s story was actually a deserving one. Diagnosed with Stage three breast cancer in December of 2005, the diagnosis proved the inspiration she needed to create something amazing. Despite a rigorous treatment schedule and a cancer that still growing, Debbie created Warrior Princess Wear LLC, a line of inspirational t-shirts and hats with slogans like ‘Bald is Stunning,’ and ‘I’m Still Hot - It Simply Comes In Flashes.’ Whereas Debbie’s cancer hasn’t nonetheless yielded, her spirit is one that evokes survivors, patients, and readers alike.

Not only did Eskridge’s parent company ImagesByKay sponsor this contest during October, they additionally donated a little of their female body photography portrait sales to breast cancer research.

Eskridge’s Celebrate Sexy boudouir photography has the power to assist a woman uncover new dimensions of private beauty that aren’t forever obvious, and this type of motivation is crucial for survivors as well as nearly any woman. CelebrateSexy is an all-feminine company, Eskridge desires every woman to uncover her own power, and portraits like those within the Celebrate Sexy line will do this and thus a lot of more.

A wedding photographer should – always- ensure that they have some private allocated time with the couple on their wedding day. No matter what style of wedding photography the couple wants, they will always expect some pretty great shots of just the two of them. Ideally, you only need around 30mins of their time, but it means you can really compose your shots and lighting with care and attention and have their full attention.

What tends to happen when you start walking off with the happy couple for a private session is that people follow. It really doesn’t work if other people are hanging around and distracting them. Even worse, is that guests assume that because you are taking pictures of the couple it’s a great time for them to also take pictures. In this situation the bride and groom will undoubtedly be caught looking at their friends rather than you, the jokes will start flying and the session is ruined.

A good photographer needs good people skills and crowd control. Be firm and polite and explain to disrupting guests this is a private session. If they do not listen, repeat your request having put your camera down.

It’s a good plan to shoot the portrait session right after the ceremony and upon reaching the reception venue. Just ensure the bride and groom have agreed when to do this – there will never be a good time to do this otherwise, particularly at larger weddings where the bride and groom tend to split up and wonder.

Hopefully, you have some knowledge of the venue in advance in terms of photogenic locations, lighting and so forth. Equally, be prepared with your equipment, particularly your lens choice.

A choice of lenses exist which are often referred to as a ‘portrait’ lens. What defines a portrait lens is primarily the focal length. Anything above 85mm produces a pleasing perspective without distorting facial features. The preference by pros is generally between 135mm and 200mm – this also keeps the photographer at quite some shooting distance to help relax the subjects. If you want to shoot portraits at wider apertures than F2.8 then you need to use a prime lens instead and the Canon 135mm F2L is an excellent choice. If shooting Indoors, you might prefer the 85mm focal length for portraits due to working space considerations.

One thing to keep in mind is that if you’re looking to get the sharpest image from your lens, you need to stop it down 2 stops from its widest setting. So for example, a F2.8 lens is crisper at F5.6. For the inevitable group shots later, not only will F8 give you top performance from a lens but it also gives you the depth of field needed to keep everyone in focus .
This article is copyright of Visualsnap.co.uk.Kent wedding photographer Promoting high quality professional wedding coverage. Established and reputable Kent photographer

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Wedding photography is a demanding job. The responsibility is huge and you have one chance to get it right and deliver what you promised. You have to invest in some pretty expensive equipment, get properly insured, work weekends and don’t you dare get sick!

Regardless, if you discover you have a talent with photography you could earn a good income with a bit of effort. The big mistake to make is thinking you can buy an expensive camera and take snaps that just fall into place. Wedding photography is hugely demanding technically, and the diversity of environments and conditions involved means you owe it to the couple to be equipped and skilled enough to get the job done without excuses.

Practice over and over again until you are ‘one’ with your camera. Read some good photography books and visit popular photography blogs –sorry to remind you of the obvious, but there are no short-cuts to being a pro – least of which is the AUTO setting on your camera. With photography you never stop learning and developing your technique as a photographer. Work hard at mastering how to nail exposure and post-production processing and your photography will soon clearly stand-out from being just ‘snaps’.

The other critical skills to develop are an understanding of lighting, flash photography and composition. It can easily take you a full year just to learn the essentials of photography. Be prepared to give up too. If you don’t find it fun – a career in photography may not be the right choice for you.

Wedding photography is very competitive not only because good photographers are booked years in advance, but because there are also so many ‘wannabees’ who are quite prepared to pretend they are of professional grade. As the majority of weddings take place on a Saturday, this is a job that has you working mostly on your weekends, so competition is also one of availability.

Your reputation is your biggest asset, so make sure you are available to meet clients or give good advice. Confidence in what you do will reflect in the pictures you take on the day. Think of every client as an investment because recommendations build your business. If you’ve also developed a particular signature style to your photography, you’ll gain interest from other photographers and kudos in a particular segment of the industry which can help you with your pricing strategy. If you just go with the flow in your proposition, clients will look elsewhere as you can expect them to aggressively compare you with many others to ensure your compatibility on the day.

Be sure to have a repertoire of memorable poses in the back of your mind for just the happy couple on the day. Plenty of clients can be a little camera shy and will look to you to pose them and make them look good. Similarly remember to cover mums and dads and important group shots with variety and style. Keep an eye out for small details for close up shots and always scout the environment for interesting backdrops, particularly if the weather is looking bad.

For church weddings, be polite and respect the rules. No flash photography will test your camera and lens choices. If you have the funds ensure you equip yourself with a modern camera with the best possible ISO performance and a lens with the widest/fastest aperture you can afford; if this means nothing to you now, do not learn why the hard way.

The final piece of advice is to build yourself an attractive website. Look around and you’ll be amazed how poor some photographer’s websites are considering they are selling a look and style.
This article is copyright of www.Visualsnap.co.uk - Wedding photography Kent. Established and Professional Wedding photographer and wedding videography services for London, Kent and the south east of England.

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Capturing a marriage on video isn’t as easy as just showing up on the day and shooting. There are a few guidelines to keep in mind to help create that perfect marriage video. To be a professional wedding videographer you would like to ensure you are properly prepared and are as invisible as possible during the marriage to capture the occasion as naturally as possible .

As a professional wedding video, Sydney based company your reputation is going to be everything and you’ll become extremely busy if your approach is a professional one. Shooting great wedding videos is only part of the job ; there are many other stuff to think about when working a wedding.

Preparation is the key to becoming a successful wedding videographer, the more planning that you do the less problems you will have on the day. A few of the most common mistakes that newbie wedding videographers make are simply avoidable. Always have back up batteries that are completely charged and don’t wait till they are dead to swap them over. When there are pauses in the marriage change them over so you will not miss anything if your battery goes dead during a vital part of the occassion, this is a sure way to ensure your clients are ecstatic ones.

There’s nothing more unprofessional than making an excuse that you missed a vital moment because your battery ran out. By getting rid of the things that may most likely go bad, enables you to confidently focus on the job at hand . Always plan ahead, pre-empt what is going to happen next so you can be prepared for it, by being in the right position at the right time, and with enough battery and media.

Travel times are also crucial for you to consider. If you’re shooting the wedding by yourself this is especially critical as you’ll have to be certain that you reach the ceremony and reception location ahead of the bride and groom. The best way to prepare for that is to attend all rehearsals that take place. Not merely will you get a better idea of where to position yourself to be as unobtrusive as feasible, but you’ll be able to chat to the MC. Getting to know the MC is a good way of guaranteeing that you don’t miss anything. If you’re delayed in getting set up for some reason, then they can stall for 1 or 2 minutes to make sure you are ready.

Your camera equipment is your livelihood so get to know it very well ; you will not have some time to fiddle with buttons that you are unfamiliar with. Marriage videographers that know their gear always take better footage as they are focussing on capturing that perfect shot rather than thinking about the way to use their equipment. The perfect marriage video is more than moving pictures, the sound quality will only be commented on if it is poor so it is imperative that you set up your sound equipment correctly .

It is best to have a wireless microphone on the groom, minister and lectern to make sure that the sound quality is good, but if you only have one available then it’s best to pin it on the groom or minister. The sound quality from built in microphones on all cameras isn’t adequate to capture sound so the employment of a shotgun microphone from your camera is the most suitable choice. The sound quality is very often under estimated and can make a perfect wedding video appear very poor if the sound quality is bad.

When shooting the speeches at the reception, place a wireless microphone on the lectern and use the DJ system or in house system to get a line out using suitable wires. Often the lighting is poor so take care that you have a little time before the reception starts to get the lighting altered to suit. For perfect lighting always ensure that your onboard camera light is at least fifty watts.

Taking all these precautions will ensure that you come across as a true professional and it won’t be long before you have many chuffed clients that’ll be pleased to leave wedding video testimonials for people to take a look at. Once your reputation increases the sorts of wedding video packages that you offer can also increase and before long you will be booked well ahead.

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While we know and recognize most visible objects through the pattern of light they reflect, (not absorb), in the infra red spectrum, (an invisible part of the electromagnetic spectrum), the pattern of absorption and emission is different, and the changed patterns, when caught on film and analyzed can tell scientists a lot about the subject being captured.

The unique infrared reflection patterns of soil and vegetation, are being used by agricultural scientists to study farmland through infra red aerial photography. For example, healthy growing green plants can be recognized on infra red photography by their red color. Moist soil, on the other hand, which can be frequently noted in irrigated farmland before or after the growing season, has a green appearance on infra red films. In areas where previous drainage tile or pipeline has been buried, the soil pattern is perceived as a lighter green. This lighter green is a result of the rapid drainage of water from the sector, and or the impedance to access of water into the sector because of the buried pipeline. As a result, the soil is less moist and less dark.
Water, and the sky, both absorb and do not reflect infra red light, and appear black on infrared photography. If you examine an infrared picture of farming area adjacent to a lagoon, you can tell whether the saline water from the lagoon is seeping into the farmland, by the extent of darkening of the green color in soil adjacent to the lagoon.

While most soil appears yellow-brown in visible light, soil appears green in infrared photography. If the soil contains less moisture, such as soil which is sandier and less loamy, then the soil will appear lighter. Also the vegetation growing in such soil will appear a lighter shade of red, indicating it is not as healthy a growth. Areas of shallow soil, topsoil, land leveling, and pipe installation have a lighter color.

While all healthy vegetation has a red color, there are actually many gradations in the shades of red, and a number of plants can be recognized by their color signature. Water, as I mentioned above, is black, and water with suspended clay or soil particles appears blue green. Moist soil appears a very dark green. Additional colors appearing in infrared photography include pink indicating stressed or immature vegetation, and white indicating, sand, clay or canola in bloom.

Stress to top soil can leave an infrared signature for many years. A tree shaded area 25 years after the trees were removed and a right of way for a pipe line 25 years after the pipes were installed, both appeared as dark strips on infra red photography. of grassy vegetation.

Thanks to Winmax Video of California for sponsoring this report. Winmax is a video company specializing in the production of business videos including trade show video and restaurant video.

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